TALENTE – Meister der Zukunft 2015<\/h2>\n
This year’s special exhibition “TALENTEm\u00fcnchen – Meister der Zukunft” showcased the work of 99 young designers from 32 countries and 12 different crafts<\/b>. Over 600 applications from more than 30 countries were received for “TALENTEm\u00fcnchen 2015”. Entries were selected from Australia, Belgium, China, Germany, Finland, France, Ghana, Great Britain, Iran, Israel, Italy, Japan, Canada, Colombia, Cuba, Lebanon, Mexico, New Zealand, the Netherlands, Norway, Poland, Sweden, Switzerland, the Slovak Republic, Spain, South Korea, Taiwan, the Czech Republic, Tunisia, Ukraine and the USA. <\/p>\n
The special show is a reflection of the ideas of young people, characterized by an experimental approach to materials and craft techniques. Munich is an attractive place for them to present their work to an international audience, and the fact that TALENTE encompasses many crafts and that the works can oscillate between art, design and crafts adds to the special appeal of this exhibition. In the juxtaposition of the works, different current design viewpoints become visible and tendencies of individual educational institutions become apparent. <\/p>\n<\/div>
Current trends<\/h2><\/div><\/i><\/i><\/span>International diversity like never before<\/span><\/a><\/h4><\/div>\nNever before have so many nations been represented at TALENTEm\u00fcnchen. Particularly exciting: contributions from countries such as Iran, Colombia, Cuba, Lebanon, Mexico, Tunisia and Ukraine, whose educational paths are often little known in this country. <\/p>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>City as a source of inspiration<\/span><\/a><\/h4><\/div>\nMany works are dedicated to the city – its problems, its poetry and its aesthetics. Young designers translate urban experiences into visual and material forms. <\/p>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>Material aesthetics & surface appeal<\/span><\/a><\/h4><\/div>\n\n Material, surface and feel continue to be central themes. Innovative finishes and new techniques show how strongly the aesthetic effect of the material is in the foreground.\n\t<\/p>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>Craft & digital technologies<\/span><\/a><\/h4><\/div>\n\n Material, surface and feel continue to be central themes. Innovative finishes and new techniques show how strongly the aesthetic effect of the material is in the foreground.\n\t<\/p>\n<\/div><\/div><\/div><\/div><\/div>
List of participants (PDF)<\/span><\/a><\/div><\/div><\/div>Catalogue<\/h2>\n<\/div>![](\"https:\/\/talente-muenchen.org\/wp-content\/uploads\/2025\/08\/Talente-Katalog-Titel-2015.jpg\" "\\"Talents")
<\/span><\/div>You can download the catalogues for the special show “TALENTEm\u00fcnchen – Meister der Zukunft” here or order them online on the website of the Handwerkskammer f\u00fcr M\u00fcnchen und Oberbayern.<\/p>\n<\/div>
Catalogue (PDF)<\/span><\/a><\/div>Order<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div>Winners of the “TALENTE – Meister der Zukunft” prize 2015<\/h2><\/div><\/div><\/div>![](\"https:\/\/talente-muenchen.org\/wp-content\/uploads\/2025\/08\/Talente2015_Selma_Houissa_Machinedcouperlefil_96264.jpg\")
<\/a><\/span><\/div><\/div><\/div>Selma Houissa, Tunesien \/ Belgien<\/span><\/h3>\nTechnology<\/strong><\/p>\nSelma Houissa’s machine for cutting plastic bottles impressed the jury with its worldwide and multiple usability. The jury considered the extension of PET as a material without additional energy consumption and larger plant technology as well as the many possibilities for further processing to be forward-looking. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
![](\"https:\/\/talente-muenchen.org\/wp-content\/uploads\/2025\/08\/Anne-Martin_01.jpg\")
<\/a><\/span><\/div><\/div><\/div>Anne Martin, Germany<\/h3>\n
Glass<\/strong><\/p>\nAnne Martin’s glass hoops impressed the jury with the quality of their realisation and their playful, light character. The jury was fascinated by her seemingly flowing and frozen form, her graphic conception and her interaction with the surrounding space. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
![](\"https:\/\/talente-muenchen.org\/wp-content\/uploads\/2025\/08\/Matthias-Poetz.jpg\")
<\/a><\/span><\/div><\/div><\/div>Matthias P\u00f6tz, Italy<\/h3>\n
Wood<\/strong><\/p>\nMatthias P\u00f6tz seesaw encourages people to interact, to engage in a mutual dialogue, to strive for balance and, in this context, to train respect and communication. The simple construction and production method are also convincing. At the same time, the seesaw looks like a dynamic sculpture. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
![](\"https:\/\/talente-muenchen.org\/wp-content\/uploads\/2025\/08\/Sarah-Pschorn.jpg\")
<\/a><\/span><\/div><\/div><\/div>Sarah Pschorn, Germany<\/h3>\n
Ceramics<\/strong><\/p>\nSarah Pschorn deals with traditions in an innovative way in her vases. The jury was impressed by her free approach, creative approach and openness in dealing with the history of ceramics. Her works show respect and a certain humour towards the traditions, which she interprets in an original way. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
![](\"https:\/\/talente-muenchen.org\/wp-content\/uploads\/2025\/08\/Mark-Damen_02.jpg\")
<\/a><\/span><\/div><\/div><\/div>Mark Damen, Netherlands<\/h3>\n
Furniture<\/strong><\/p>\nMark Damen’s table impresses with its symbiotic combination of wood and metal. Production and aesthetic appearance are inextricably linked. The jury was fascinated by the unusual approach of the table itself forming the mold for the metal and thus simultaneously consolidating the form. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
![](\"https:\/\/talente-muenchen.org\/wp-content\/uploads\/2025\/08\/Jing-Yang_03.jpg\")
<\/a><\/span><\/div><\/div><\/div>Jing Yang, China \/ Germany<\/h3>\n
Jewellery<\/strong><\/p>\nJing Yang’s “I am not a vase” forms an object that changes and dissolves in contact with the body. In a way, the vessel symbolises the body on which it then appears as an ornament. In addition to the aesthetically unusual concept, the jury also praised the conceptual approach, which deals with questions of cultural tradition and the role of women in society <\/p>\n<\/div><\/div><\/div><\/div><\/div>
![](\"https:\/\/talente-muenchen.org\/wp-content\/uploads\/2025\/08\/Fynn-Freyschmidt_01.jpg\")
<\/a><\/span><\/div><\/div><\/div>Fynn Freyschmidt, Germany<\/h3>\n
Textile<\/strong><\/p>\nFynn Freyschmidt’s “Chapeau” is a new idea that combines an outer textile tube and an inner silicone tube. The knitting gives them strength and stability. The inflated tube functions like an artificial muscle. The jury praised the innovative approach and the wide range of uses that this invention allows. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
![](\"https:\/\/talente-muenchen.org\/wp-content\/uploads\/2025\/08\/Ravid-Hefer_02.jpg\")
<\/a><\/span><\/div><\/div><\/div>Ravit Hefer, Israel<\/h3>\n
Textile<\/strong><\/p>\nRavit Hefer’s textile works fascinate with their splendor and ornamentation as well as their unusual construction, in which the fibres themselves form the framework, but at the same time break through the expectations associated with a grid. The three-dimensional, voluminous form has an unusual and dynamic effect. The works seem to oscillate between control, spontaneity and freedom. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
Winners of the Bavarian State Prize 2015<\/h2><\/div><\/div><\/div>
<\/i><\/i><\/span>International diversity like never before<\/span><\/a><\/h4><\/div>\nNever before have so many nations been represented at TALENTEm\u00fcnchen. Particularly exciting: contributions from countries such as Iran, Colombia, Cuba, Lebanon, Mexico, Tunisia and Ukraine, whose educational paths are often little known in this country. <\/p>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>City as a source of inspiration<\/span><\/a><\/h4><\/div>\nMany works are dedicated to the city – its problems, its poetry and its aesthetics. Young designers translate urban experiences into visual and material forms. <\/p>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>Material aesthetics & surface appeal<\/span><\/a><\/h4><\/div>\n\n Material, surface and feel continue to be central themes. Innovative finishes and new techniques show how strongly the aesthetic effect of the material is in the foreground.\n\t<\/p>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>Craft & digital technologies<\/span><\/a><\/h4><\/div>\n\n Material, surface and feel continue to be central themes. Innovative finishes and new techniques show how strongly the aesthetic effect of the material is in the foreground.\n\t<\/p>\n<\/div><\/div><\/div><\/div><\/div>
List of participants (PDF)<\/span><\/a><\/div><\/div><\/div>Catalogue<\/h2>\n<\/div><\/span><\/div>You can download the catalogues for the special show “TALENTEm\u00fcnchen – Meister der Zukunft” here or order them online on the website of the Handwerkskammer f\u00fcr M\u00fcnchen und Oberbayern.<\/p>\n<\/div>
Catalogue (PDF)<\/span><\/a><\/div>Order<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div>Winners of the “TALENTE – Meister der Zukunft” prize 2015<\/h2><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Selma Houissa, Tunesien \/ Belgien<\/span><\/h3>\nTechnology<\/strong><\/p>\nSelma Houissa’s machine for cutting plastic bottles impressed the jury with its worldwide and multiple usability. The jury considered the extension of PET as a material without additional energy consumption and larger plant technology as well as the many possibilities for further processing to be forward-looking. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Anne Martin, Germany<\/h3>\n
Glass<\/strong><\/p>\nAnne Martin’s glass hoops impressed the jury with the quality of their realisation and their playful, light character. The jury was fascinated by her seemingly flowing and frozen form, her graphic conception and her interaction with the surrounding space. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Matthias P\u00f6tz, Italy<\/h3>\n
Wood<\/strong><\/p>\nMatthias P\u00f6tz seesaw encourages people to interact, to engage in a mutual dialogue, to strive for balance and, in this context, to train respect and communication. The simple construction and production method are also convincing. At the same time, the seesaw looks like a dynamic sculpture. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Sarah Pschorn, Germany<\/h3>\n
Ceramics<\/strong><\/p>\nSarah Pschorn deals with traditions in an innovative way in her vases. The jury was impressed by her free approach, creative approach and openness in dealing with the history of ceramics. Her works show respect and a certain humour towards the traditions, which she interprets in an original way. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Mark Damen, Netherlands<\/h3>\n
Furniture<\/strong><\/p>\nMark Damen’s table impresses with its symbiotic combination of wood and metal. Production and aesthetic appearance are inextricably linked. The jury was fascinated by the unusual approach of the table itself forming the mold for the metal and thus simultaneously consolidating the form. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Jing Yang, China \/ Germany<\/h3>\n
Jewellery<\/strong><\/p>\nJing Yang’s “I am not a vase” forms an object that changes and dissolves in contact with the body. In a way, the vessel symbolises the body on which it then appears as an ornament. In addition to the aesthetically unusual concept, the jury also praised the conceptual approach, which deals with questions of cultural tradition and the role of women in society <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Fynn Freyschmidt, Germany<\/h3>\n
Textile<\/strong><\/p>\nFynn Freyschmidt’s “Chapeau” is a new idea that combines an outer textile tube and an inner silicone tube. The knitting gives them strength and stability. The inflated tube functions like an artificial muscle. The jury praised the innovative approach and the wide range of uses that this invention allows. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Ravit Hefer, Israel<\/h3>\n
Textile<\/strong><\/p>\nRavit Hefer’s textile works fascinate with their splendor and ornamentation as well as their unusual construction, in which the fibres themselves form the framework, but at the same time break through the expectations associated with a grid. The three-dimensional, voluminous form has an unusual and dynamic effect. The works seem to oscillate between control, spontaneity and freedom. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
Winners of the Bavarian State Prize 2015<\/h2><\/div><\/div><\/div>
Never before have so many nations been represented at TALENTEm\u00fcnchen. Particularly exciting: contributions from countries such as Iran, Colombia, Cuba, Lebanon, Mexico, Tunisia and Ukraine, whose educational paths are often little known in this country. <\/p>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>City as a source of inspiration<\/span><\/a><\/h4><\/div>\nMany works are dedicated to the city – its problems, its poetry and its aesthetics. Young designers translate urban experiences into visual and material forms. <\/p>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>Material aesthetics & surface appeal<\/span><\/a><\/h4><\/div>\n\n Material, surface and feel continue to be central themes. Innovative finishes and new techniques show how strongly the aesthetic effect of the material is in the foreground.\n\t<\/p>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>Craft & digital technologies<\/span><\/a><\/h4><\/div>\n\n Material, surface and feel continue to be central themes. Innovative finishes and new techniques show how strongly the aesthetic effect of the material is in the foreground.\n\t<\/p>\n<\/div><\/div><\/div><\/div><\/div>
List of participants (PDF)<\/span><\/a><\/div><\/div><\/div>Catalogue<\/h2>\n<\/div><\/span><\/div>You can download the catalogues for the special show “TALENTEm\u00fcnchen – Meister der Zukunft” here or order them online on the website of the Handwerkskammer f\u00fcr M\u00fcnchen und Oberbayern.<\/p>\n<\/div>
Catalogue (PDF)<\/span><\/a><\/div>Order<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div>Winners of the “TALENTE – Meister der Zukunft” prize 2015<\/h2><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Selma Houissa, Tunesien \/ Belgien<\/span><\/h3>\nTechnology<\/strong><\/p>\nSelma Houissa’s machine for cutting plastic bottles impressed the jury with its worldwide and multiple usability. The jury considered the extension of PET as a material without additional energy consumption and larger plant technology as well as the many possibilities for further processing to be forward-looking. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Anne Martin, Germany<\/h3>\n
Glass<\/strong><\/p>\nAnne Martin’s glass hoops impressed the jury with the quality of their realisation and their playful, light character. The jury was fascinated by her seemingly flowing and frozen form, her graphic conception and her interaction with the surrounding space. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Matthias P\u00f6tz, Italy<\/h3>\n
Wood<\/strong><\/p>\nMatthias P\u00f6tz seesaw encourages people to interact, to engage in a mutual dialogue, to strive for balance and, in this context, to train respect and communication. The simple construction and production method are also convincing. At the same time, the seesaw looks like a dynamic sculpture. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Sarah Pschorn, Germany<\/h3>\n
Ceramics<\/strong><\/p>\nSarah Pschorn deals with traditions in an innovative way in her vases. The jury was impressed by her free approach, creative approach and openness in dealing with the history of ceramics. Her works show respect and a certain humour towards the traditions, which she interprets in an original way. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Mark Damen, Netherlands<\/h3>\n
Furniture<\/strong><\/p>\nMark Damen’s table impresses with its symbiotic combination of wood and metal. Production and aesthetic appearance are inextricably linked. The jury was fascinated by the unusual approach of the table itself forming the mold for the metal and thus simultaneously consolidating the form. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Jing Yang, China \/ Germany<\/h3>\n
Jewellery<\/strong><\/p>\nJing Yang’s “I am not a vase” forms an object that changes and dissolves in contact with the body. In a way, the vessel symbolises the body on which it then appears as an ornament. In addition to the aesthetically unusual concept, the jury also praised the conceptual approach, which deals with questions of cultural tradition and the role of women in society <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Fynn Freyschmidt, Germany<\/h3>\n
Textile<\/strong><\/p>\nFynn Freyschmidt’s “Chapeau” is a new idea that combines an outer textile tube and an inner silicone tube. The knitting gives them strength and stability. The inflated tube functions like an artificial muscle. The jury praised the innovative approach and the wide range of uses that this invention allows. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Ravit Hefer, Israel<\/h3>\n
Textile<\/strong><\/p>\nRavit Hefer’s textile works fascinate with their splendor and ornamentation as well as their unusual construction, in which the fibres themselves form the framework, but at the same time break through the expectations associated with a grid. The three-dimensional, voluminous form has an unusual and dynamic effect. The works seem to oscillate between control, spontaneity and freedom. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
Winners of the Bavarian State Prize 2015<\/h2><\/div><\/div><\/div>
Many works are dedicated to the city – its problems, its poetry and its aesthetics. Young designers translate urban experiences into visual and material forms. <\/p>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>Material aesthetics & surface appeal<\/span><\/a><\/h4><\/div>\n\n Material, surface and feel continue to be central themes. Innovative finishes and new techniques show how strongly the aesthetic effect of the material is in the foreground.\n\t<\/p>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>Craft & digital technologies<\/span><\/a><\/h4><\/div>\n\n Material, surface and feel continue to be central themes. Innovative finishes and new techniques show how strongly the aesthetic effect of the material is in the foreground.\n\t<\/p>\n<\/div><\/div><\/div><\/div><\/div>
List of participants (PDF)<\/span><\/a><\/div><\/div><\/div>Catalogue<\/h2>\n<\/div><\/span><\/div>You can download the catalogues for the special show “TALENTEm\u00fcnchen – Meister der Zukunft” here or order them online on the website of the Handwerkskammer f\u00fcr M\u00fcnchen und Oberbayern.<\/p>\n<\/div>
Catalogue (PDF)<\/span><\/a><\/div>Order<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div>Winners of the “TALENTE – Meister der Zukunft” prize 2015<\/h2><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Selma Houissa, Tunesien \/ Belgien<\/span><\/h3>\nTechnology<\/strong><\/p>\nSelma Houissa’s machine for cutting plastic bottles impressed the jury with its worldwide and multiple usability. The jury considered the extension of PET as a material without additional energy consumption and larger plant technology as well as the many possibilities for further processing to be forward-looking. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Anne Martin, Germany<\/h3>\n
Glass<\/strong><\/p>\nAnne Martin’s glass hoops impressed the jury with the quality of their realisation and their playful, light character. The jury was fascinated by her seemingly flowing and frozen form, her graphic conception and her interaction with the surrounding space. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Matthias P\u00f6tz, Italy<\/h3>\n
Wood<\/strong><\/p>\nMatthias P\u00f6tz seesaw encourages people to interact, to engage in a mutual dialogue, to strive for balance and, in this context, to train respect and communication. The simple construction and production method are also convincing. At the same time, the seesaw looks like a dynamic sculpture. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Sarah Pschorn, Germany<\/h3>\n
Ceramics<\/strong><\/p>\nSarah Pschorn deals with traditions in an innovative way in her vases. The jury was impressed by her free approach, creative approach and openness in dealing with the history of ceramics. Her works show respect and a certain humour towards the traditions, which she interprets in an original way. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Mark Damen, Netherlands<\/h3>\n
Furniture<\/strong><\/p>\nMark Damen’s table impresses with its symbiotic combination of wood and metal. Production and aesthetic appearance are inextricably linked. The jury was fascinated by the unusual approach of the table itself forming the mold for the metal and thus simultaneously consolidating the form. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Jing Yang, China \/ Germany<\/h3>\n
Jewellery<\/strong><\/p>\nJing Yang’s “I am not a vase” forms an object that changes and dissolves in contact with the body. In a way, the vessel symbolises the body on which it then appears as an ornament. In addition to the aesthetically unusual concept, the jury also praised the conceptual approach, which deals with questions of cultural tradition and the role of women in society <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Fynn Freyschmidt, Germany<\/h3>\n
Textile<\/strong><\/p>\nFynn Freyschmidt’s “Chapeau” is a new idea that combines an outer textile tube and an inner silicone tube. The knitting gives them strength and stability. The inflated tube functions like an artificial muscle. The jury praised the innovative approach and the wide range of uses that this invention allows. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Ravit Hefer, Israel<\/h3>\n
Textile<\/strong><\/p>\nRavit Hefer’s textile works fascinate with their splendor and ornamentation as well as their unusual construction, in which the fibres themselves form the framework, but at the same time break through the expectations associated with a grid. The three-dimensional, voluminous form has an unusual and dynamic effect. The works seem to oscillate between control, spontaneity and freedom. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
Winners of the Bavarian State Prize 2015<\/h2><\/div><\/div><\/div>
\n Material, surface and feel continue to be central themes. Innovative finishes and new techniques show how strongly the aesthetic effect of the material is in the foreground.\n\t<\/p>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>Craft & digital technologies<\/span><\/a><\/h4><\/div>\n\n Material, surface and feel continue to be central themes. Innovative finishes and new techniques show how strongly the aesthetic effect of the material is in the foreground.\n\t<\/p>\n<\/div><\/div><\/div><\/div><\/div>
List of participants (PDF)<\/span><\/a><\/div><\/div><\/div>Catalogue<\/h2>\n<\/div><\/span><\/div>You can download the catalogues for the special show “TALENTEm\u00fcnchen – Meister der Zukunft” here or order them online on the website of the Handwerkskammer f\u00fcr M\u00fcnchen und Oberbayern.<\/p>\n<\/div>
Catalogue (PDF)<\/span><\/a><\/div>Order<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div>Winners of the “TALENTE – Meister der Zukunft” prize 2015<\/h2><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Selma Houissa, Tunesien \/ Belgien<\/span><\/h3>\nTechnology<\/strong><\/p>\nSelma Houissa’s machine for cutting plastic bottles impressed the jury with its worldwide and multiple usability. The jury considered the extension of PET as a material without additional energy consumption and larger plant technology as well as the many possibilities for further processing to be forward-looking. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Anne Martin, Germany<\/h3>\n
Glass<\/strong><\/p>\nAnne Martin’s glass hoops impressed the jury with the quality of their realisation and their playful, light character. The jury was fascinated by her seemingly flowing and frozen form, her graphic conception and her interaction with the surrounding space. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Matthias P\u00f6tz, Italy<\/h3>\n
Wood<\/strong><\/p>\nMatthias P\u00f6tz seesaw encourages people to interact, to engage in a mutual dialogue, to strive for balance and, in this context, to train respect and communication. The simple construction and production method are also convincing. At the same time, the seesaw looks like a dynamic sculpture. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Sarah Pschorn, Germany<\/h3>\n
Ceramics<\/strong><\/p>\nSarah Pschorn deals with traditions in an innovative way in her vases. The jury was impressed by her free approach, creative approach and openness in dealing with the history of ceramics. Her works show respect and a certain humour towards the traditions, which she interprets in an original way. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Mark Damen, Netherlands<\/h3>\n
Furniture<\/strong><\/p>\nMark Damen’s table impresses with its symbiotic combination of wood and metal. Production and aesthetic appearance are inextricably linked. The jury was fascinated by the unusual approach of the table itself forming the mold for the metal and thus simultaneously consolidating the form. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Jing Yang, China \/ Germany<\/h3>\n
Jewellery<\/strong><\/p>\nJing Yang’s “I am not a vase” forms an object that changes and dissolves in contact with the body. In a way, the vessel symbolises the body on which it then appears as an ornament. In addition to the aesthetically unusual concept, the jury also praised the conceptual approach, which deals with questions of cultural tradition and the role of women in society <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Fynn Freyschmidt, Germany<\/h3>\n
Textile<\/strong><\/p>\nFynn Freyschmidt’s “Chapeau” is a new idea that combines an outer textile tube and an inner silicone tube. The knitting gives them strength and stability. The inflated tube functions like an artificial muscle. The jury praised the innovative approach and the wide range of uses that this invention allows. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Ravit Hefer, Israel<\/h3>\n
Textile<\/strong><\/p>\nRavit Hefer’s textile works fascinate with their splendor and ornamentation as well as their unusual construction, in which the fibres themselves form the framework, but at the same time break through the expectations associated with a grid. The three-dimensional, voluminous form has an unusual and dynamic effect. The works seem to oscillate between control, spontaneity and freedom. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
Winners of the Bavarian State Prize 2015<\/h2><\/div><\/div><\/div>
\n Material, surface and feel continue to be central themes. Innovative finishes and new techniques show how strongly the aesthetic effect of the material is in the foreground.\n\t<\/p>\n<\/div><\/div><\/div><\/div><\/div>
Catalogue<\/h2>\n<\/div><\/span><\/div>You can download the catalogues for the special show “TALENTEm\u00fcnchen – Meister der Zukunft” here or order them online on the website of the Handwerkskammer f\u00fcr M\u00fcnchen und Oberbayern.<\/p>\n<\/div>
Catalogue (PDF)<\/span><\/a><\/div>Order<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div>Winners of the “TALENTE – Meister der Zukunft” prize 2015<\/h2><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Selma Houissa, Tunesien \/ Belgien<\/span><\/h3>\nTechnology<\/strong><\/p>\nSelma Houissa’s machine for cutting plastic bottles impressed the jury with its worldwide and multiple usability. The jury considered the extension of PET as a material without additional energy consumption and larger plant technology as well as the many possibilities for further processing to be forward-looking. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Anne Martin, Germany<\/h3>\n
Glass<\/strong><\/p>\nAnne Martin’s glass hoops impressed the jury with the quality of their realisation and their playful, light character. The jury was fascinated by her seemingly flowing and frozen form, her graphic conception and her interaction with the surrounding space. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Matthias P\u00f6tz, Italy<\/h3>\n
Wood<\/strong><\/p>\nMatthias P\u00f6tz seesaw encourages people to interact, to engage in a mutual dialogue, to strive for balance and, in this context, to train respect and communication. The simple construction and production method are also convincing. At the same time, the seesaw looks like a dynamic sculpture. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Sarah Pschorn, Germany<\/h3>\n
Ceramics<\/strong><\/p>\nSarah Pschorn deals with traditions in an innovative way in her vases. The jury was impressed by her free approach, creative approach and openness in dealing with the history of ceramics. Her works show respect and a certain humour towards the traditions, which she interprets in an original way. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Mark Damen, Netherlands<\/h3>\n
Furniture<\/strong><\/p>\nMark Damen’s table impresses with its symbiotic combination of wood and metal. Production and aesthetic appearance are inextricably linked. The jury was fascinated by the unusual approach of the table itself forming the mold for the metal and thus simultaneously consolidating the form. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Jing Yang, China \/ Germany<\/h3>\n
Jewellery<\/strong><\/p>\nJing Yang’s “I am not a vase” forms an object that changes and dissolves in contact with the body. In a way, the vessel symbolises the body on which it then appears as an ornament. In addition to the aesthetically unusual concept, the jury also praised the conceptual approach, which deals with questions of cultural tradition and the role of women in society <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Fynn Freyschmidt, Germany<\/h3>\n
Textile<\/strong><\/p>\nFynn Freyschmidt’s “Chapeau” is a new idea that combines an outer textile tube and an inner silicone tube. The knitting gives them strength and stability. The inflated tube functions like an artificial muscle. The jury praised the innovative approach and the wide range of uses that this invention allows. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Ravit Hefer, Israel<\/h3>\n
Textile<\/strong><\/p>\nRavit Hefer’s textile works fascinate with their splendor and ornamentation as well as their unusual construction, in which the fibres themselves form the framework, but at the same time break through the expectations associated with a grid. The three-dimensional, voluminous form has an unusual and dynamic effect. The works seem to oscillate between control, spontaneity and freedom. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
Winners of the Bavarian State Prize 2015<\/h2><\/div><\/div><\/div>
<\/span><\/div>You can download the catalogues for the special show “TALENTEm\u00fcnchen – Meister der Zukunft” here or order them online on the website of the Handwerkskammer f\u00fcr M\u00fcnchen und Oberbayern.<\/p>\n<\/div>
Winners of the “TALENTE – Meister der Zukunft” prize 2015<\/h2><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Selma Houissa, Tunesien \/ Belgien<\/span><\/h3>\nTechnology<\/strong><\/p>\nSelma Houissa’s machine for cutting plastic bottles impressed the jury with its worldwide and multiple usability. The jury considered the extension of PET as a material without additional energy consumption and larger plant technology as well as the many possibilities for further processing to be forward-looking. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Anne Martin, Germany<\/h3>\n
Glass<\/strong><\/p>\nAnne Martin’s glass hoops impressed the jury with the quality of their realisation and their playful, light character. The jury was fascinated by her seemingly flowing and frozen form, her graphic conception and her interaction with the surrounding space. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Matthias P\u00f6tz, Italy<\/h3>\n
Wood<\/strong><\/p>\nMatthias P\u00f6tz seesaw encourages people to interact, to engage in a mutual dialogue, to strive for balance and, in this context, to train respect and communication. The simple construction and production method are also convincing. At the same time, the seesaw looks like a dynamic sculpture. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Sarah Pschorn, Germany<\/h3>\n
Ceramics<\/strong><\/p>\nSarah Pschorn deals with traditions in an innovative way in her vases. The jury was impressed by her free approach, creative approach and openness in dealing with the history of ceramics. Her works show respect and a certain humour towards the traditions, which she interprets in an original way. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Mark Damen, Netherlands<\/h3>\n
Furniture<\/strong><\/p>\nMark Damen’s table impresses with its symbiotic combination of wood and metal. Production and aesthetic appearance are inextricably linked. The jury was fascinated by the unusual approach of the table itself forming the mold for the metal and thus simultaneously consolidating the form. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Jing Yang, China \/ Germany<\/h3>\n
Jewellery<\/strong><\/p>\nJing Yang’s “I am not a vase” forms an object that changes and dissolves in contact with the body. In a way, the vessel symbolises the body on which it then appears as an ornament. In addition to the aesthetically unusual concept, the jury also praised the conceptual approach, which deals with questions of cultural tradition and the role of women in society <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Fynn Freyschmidt, Germany<\/h3>\n
Textile<\/strong><\/p>\nFynn Freyschmidt’s “Chapeau” is a new idea that combines an outer textile tube and an inner silicone tube. The knitting gives them strength and stability. The inflated tube functions like an artificial muscle. The jury praised the innovative approach and the wide range of uses that this invention allows. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Ravit Hefer, Israel<\/h3>\n
Textile<\/strong><\/p>\nRavit Hefer’s textile works fascinate with their splendor and ornamentation as well as their unusual construction, in which the fibres themselves form the framework, but at the same time break through the expectations associated with a grid. The three-dimensional, voluminous form has an unusual and dynamic effect. The works seem to oscillate between control, spontaneity and freedom. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
Winners of the Bavarian State Prize 2015<\/h2><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Selma Houissa, Tunesien \/ Belgien<\/span><\/h3>\nTechnology<\/strong><\/p>\nSelma Houissa’s machine for cutting plastic bottles impressed the jury with its worldwide and multiple usability. The jury considered the extension of PET as a material without additional energy consumption and larger plant technology as well as the many possibilities for further processing to be forward-looking. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Anne Martin, Germany<\/h3>\n
Glass<\/strong><\/p>\nAnne Martin’s glass hoops impressed the jury with the quality of their realisation and their playful, light character. The jury was fascinated by her seemingly flowing and frozen form, her graphic conception and her interaction with the surrounding space. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Matthias P\u00f6tz, Italy<\/h3>\n
Wood<\/strong><\/p>\nMatthias P\u00f6tz seesaw encourages people to interact, to engage in a mutual dialogue, to strive for balance and, in this context, to train respect and communication. The simple construction and production method are also convincing. At the same time, the seesaw looks like a dynamic sculpture. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Sarah Pschorn, Germany<\/h3>\n
Ceramics<\/strong><\/p>\nSarah Pschorn deals with traditions in an innovative way in her vases. The jury was impressed by her free approach, creative approach and openness in dealing with the history of ceramics. Her works show respect and a certain humour towards the traditions, which she interprets in an original way. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Mark Damen, Netherlands<\/h3>\n
Furniture<\/strong><\/p>\nMark Damen’s table impresses with its symbiotic combination of wood and metal. Production and aesthetic appearance are inextricably linked. The jury was fascinated by the unusual approach of the table itself forming the mold for the metal and thus simultaneously consolidating the form. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Jing Yang, China \/ Germany<\/h3>\n
Jewellery<\/strong><\/p>\nJing Yang’s “I am not a vase” forms an object that changes and dissolves in contact with the body. In a way, the vessel symbolises the body on which it then appears as an ornament. In addition to the aesthetically unusual concept, the jury also praised the conceptual approach, which deals with questions of cultural tradition and the role of women in society <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Fynn Freyschmidt, Germany<\/h3>\n
Textile<\/strong><\/p>\nFynn Freyschmidt’s “Chapeau” is a new idea that combines an outer textile tube and an inner silicone tube. The knitting gives them strength and stability. The inflated tube functions like an artificial muscle. The jury praised the innovative approach and the wide range of uses that this invention allows. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Ravit Hefer, Israel<\/h3>\n
Textile<\/strong><\/p>\nRavit Hefer’s textile works fascinate with their splendor and ornamentation as well as their unusual construction, in which the fibres themselves form the framework, but at the same time break through the expectations associated with a grid. The three-dimensional, voluminous form has an unusual and dynamic effect. The works seem to oscillate between control, spontaneity and freedom. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
Winners of the Bavarian State Prize 2015<\/h2><\/div><\/div><\/div>
Selma Houissa’s machine for cutting plastic bottles impressed the jury with its worldwide and multiple usability. The jury considered the extension of PET as a material without additional energy consumption and larger plant technology as well as the many possibilities for further processing to be forward-looking. <\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>Anne Martin, Germany<\/h3>\n
Glass<\/strong><\/p>\n Anne Martin’s glass hoops impressed the jury with the quality of their realisation and their playful, light character. The jury was fascinated by her seemingly flowing and frozen form, her graphic conception and her interaction with the surrounding space. <\/p>\n<\/div><\/div><\/div><\/div><\/div> Wood<\/strong><\/p>\n Matthias P\u00f6tz seesaw encourages people to interact, to engage in a mutual dialogue, to strive for balance and, in this context, to train respect and communication. The simple construction and production method are also convincing. At the same time, the seesaw looks like a dynamic sculpture. <\/p>\n<\/div><\/div><\/div><\/div><\/div> Ceramics<\/strong><\/p>\n Sarah Pschorn deals with traditions in an innovative way in her vases. The jury was impressed by her free approach, creative approach and openness in dealing with the history of ceramics. Her works show respect and a certain humour towards the traditions, which she interprets in an original way. <\/p>\n<\/div><\/div><\/div><\/div><\/div> Furniture<\/strong><\/p>\n Mark Damen’s table impresses with its symbiotic combination of wood and metal. Production and aesthetic appearance are inextricably linked. The jury was fascinated by the unusual approach of the table itself forming the mold for the metal and thus simultaneously consolidating the form. <\/p>\n<\/div><\/div><\/div><\/div><\/div> Jewellery<\/strong><\/p>\n Jing Yang’s “I am not a vase” forms an object that changes and dissolves in contact with the body. In a way, the vessel symbolises the body on which it then appears as an ornament. In addition to the aesthetically unusual concept, the jury also praised the conceptual approach, which deals with questions of cultural tradition and the role of women in society <\/p>\n<\/div><\/div><\/div><\/div><\/div> Textile<\/strong><\/p>\n Fynn Freyschmidt’s “Chapeau” is a new idea that combines an outer textile tube and an inner silicone tube. The knitting gives them strength and stability. The inflated tube functions like an artificial muscle. The jury praised the innovative approach and the wide range of uses that this invention allows. <\/p>\n<\/div><\/div><\/div><\/div><\/div> Textile<\/strong><\/p>\n Ravit Hefer’s textile works fascinate with their splendor and ornamentation as well as their unusual construction, in which the fibres themselves form the framework, but at the same time break through the expectations associated with a grid. The three-dimensional, voluminous form has an unusual and dynamic effect. The works seem to oscillate between control, spontaneity and freedom. <\/p>\n<\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Matthias P\u00f6tz, Italy<\/h3>\n
<\/a><\/span><\/div><\/div><\/div>Sarah Pschorn, Germany<\/h3>\n
<\/a><\/span><\/div><\/div><\/div>Mark Damen, Netherlands<\/h3>\n
<\/a><\/span><\/div><\/div><\/div>Jing Yang, China \/ Germany<\/h3>\n
<\/a><\/span><\/div><\/div><\/div>Fynn Freyschmidt, Germany<\/h3>\n
<\/a><\/span><\/div><\/div><\/div>Ravit Hefer, Israel<\/h3>\n
Winners of the Bavarian State Prize 2015<\/h2><\/div><\/div><\/div>
![](\"https:\/\/talente-muenchen.org\/wp-content\/uploads\/2025\/08\/Bokyung-Kim_01.jpg\")
<\/a><\/span><\/div><\/div><\/div>![](\"https:\/\/talente-muenchen.org\/wp-content\/uploads\/2025\/08\/Christoph-Weisshaar.jpg\")
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