{"id":12309,"date":"2025-08-12T10:43:48","date_gmt":"2025-08-12T08:43:48","guid":{"rendered":"https:\/\/talente-muenchen.org\/archive\/talente-2025\/"},"modified":"2025-12-04T16:51:21","modified_gmt":"2025-12-04T15:51:21","slug":"talente-2025","status":"publish","type":"page","link":"https:\/\/talente-muenchen.org\/en\/archive\/talente-2025\/","title":{"rendered":"TALENTE 2025"},"content":{"rendered":"

TALENTE – Meister der Zukunft 2025<\/h2>\n

In 2025, “TALENTEm\u00fcnchen – Meister der Zukunft” presented the work of 92 young talents from 12 different crafts, including mainly textiles, glass and ceramics, but also furniture making, jewellery and leather goods. This year’s participants come from 27 countries around the world, including Colombia, Pakistan, Zimbabwe, China, Ecuador and Israel. There were no limits to the materials used either: there were even works made from tea or wax to discover. <\/p>\n

The world is constantly changing – you can and should see that. Works of art and everyday objects look different today than they did 100 years ago – and the future will also bring completely new objects. Young people in particular have an unmistakable sense of impending changes. They want to play an active role in shaping the future and consciously accept challenges. <\/p>\n

This was evident, for example, in the numerous works dealing with upcycling and recycling: Existing raw materials were reused or repurposed, such as electronic vessels or leftover textiles. Global warming is also an important topic for young people, with fa\u00e7ade tiles for planting offering a way to cool down the cities a little. <\/p>\n<\/div>

Current trends<\/h2><\/div>

<\/i><\/i><\/span>The place of the creative crafts in the digital world<\/span><\/a><\/h4><\/div>
\n

Another important topic of the special show “TALENTEm\u00fcnchen – Meister der Zukunft 2025” was the use of digital production methods. How can they make a meaningful contribution to design, where does traditional craftsmanship remain superior? The young designers are not afraid of the technical possibilities; curiosity and pragmatism are the guiding principles when they try out new technologies, play with them and also question them critically. Bicycle helmets from the 3D printer and objects designed with the help of computer technology provided a glimpse into the future of craftsmanship and digital technologies. <\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>Surfaces as playgrounds for creativity<\/span><\/a><\/h4><\/div>
\n

The materials glass and ceramics<\/b> remain exciting for young designers and artists in 2025, whether as everyday objects or for free artistic sculptures. Colourful vases, large-scale wall installations and man-sized sculptures awaited the trade fair visitors. Above all, the surfaces repeatedly revealed themselves as a playground of infinite possibilities. Techniques rarely used in glass, such as enamel painting and airbrushing or the combination with corrugated sheet metal, led to completely new, never-before-seen objects. <\/span><\/p>\n

Also in the area of <\/span>furniture construction <\/b>the young talents reacted to the circumstances of the time: costs and delivery conditions were taken into account as well as the current way of life with frequent changes of residence and rather small apartments.<\/span><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>Focus on textiles<\/span><\/a><\/h4><\/div>
\n

Textiles <\/b>have always played a prominent role at the special show “TALENTEm\u00fcnchen – Meister der Zukunft”. The variety of materials, techniques and functions was once again impressive in 2025. From small fabric samples and finished clothing to large wall hangings or sculptures made from flexible textiles, everything was on display. Technically, the spectrum ranged from traditional textile processing to computer-controlled weaving and knitting. An important topic was the upcycling of fabrics and yarns as well as the use of textiles for room division and sound insulation. <\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>The piece of jewellery as a cosmos<\/span><\/a><\/h4><\/div>
\n

In the field of artistic jewellery, the great desire of artists to explore materials and play with forms was condensed into wearable worlds. But critical statements on politics and society or personal themes also had their place here. Many jewellery artists dealt with the themes of memory and tradition on the one hand and renewal and rebellion on the other. Fundamental questions about the value of jewellery were also posed. <\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>

List of participants (PDF)<\/span><\/a><\/div><\/div><\/div>

Catalogue<\/h2>\n<\/div>
<\/span><\/div>

You can order the catalogues for the special show “TALENTEm\u00fcnchen – Meister der Zukunft” online on the website of the Handwerkskammer f\u00fcr M\u00fcnchen und Oberbayern.<\/p>\n<\/div>

Order<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div>

Winners of the “TALENTE – Meister der Zukunft” prize 2025<\/h2><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>

Natascha Frechen, Germany<\/h3>\n

The jury praised Natascha Frechen’s work for her handling of the material and its properties. These include the connections between different materials, the continuity of the material and the impression of an apparent, unusual softness in the stone. The individual design of cords and clasps was also noted, the design of which is based on the respective pendant. <\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/a><\/span><\/div><\/div><\/div>

Lisa Fuhrig, Germany<\/h3>\n

In Lisa Fuhrig’s textile works, the jury particularly praised the transfer of her experience on the handloom to modern techniques, the subtle colorfulness and depth effect. In a multi-stage process, she achieves the three-dimensional effect of her works through post-processing. The sophistication is based on a great deal of planning, experience, material and process research. <\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/a><\/span><\/div><\/div><\/div>

Paula Holzhauser, Germany<\/h3>\n

In Paula Holzhauser’s textile works, the combination of sustainability, folding technique and change of perspective is fascinating. The color combinations and subtle transitions lend the works a special charm, especially as they present different, surprising perspectives with their striking folds. <\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/a><\/span><\/div><\/div><\/div>

Andreas Rier, Italy \/ Germany<\/h3>\n

The vessel objects in Andreas Rier’s “uno col’altro” series interested the jury due to the production method of mold-blown glass with molds made of different types of wood, which change with each production step and thus ensure constantly varying shapes. The detailed, labour-intensive production and the exhaustion of the possibilities of working in the glassworks were just as fascinating as the connection to past glass traditions and their transfer to the present. <\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/a><\/span><\/div><\/div><\/div>

Yegyu Shin, South Korea \/ Germany<\/h3>\n

The jury was impressed by the concept on which the spoon series is based, as the spoons visualise a life cycle in their different sizes and designs. The idea is based on the observation that spoons accompany people from an early age until the end of their lives. The fine silver spoons symbolise the fragility, delicacy and purity of life. <\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/a><\/span><\/div><\/div><\/div>

Onno Theelen, Netherlands<\/h3>\n

Onno Theelen’s large objects captivated the viewer with their combination of a historicist and contemporary approach, combined with an individual eye and humor. The details of the production were just as convincing as the unusual, thoroughly daring approach. <\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/a><\/span><\/div><\/div><\/div>

Ta Chun Wei, Taiwan<\/h3>\n

Ta Chun Wei’s leather vessels impress with their handling of the material, the individual, innovative approach, the precise, seemingly built construction and the craftsmanship. The material transfer from metal to leather is just as interesting as the creative engagement with the tradition of regional metal craftsmanship. <\/p>\n<\/div><\/div><\/div><\/div><\/div>

Winners of the Bavarian State Prize 2025<\/h2><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>

Sulo Bee, USA<\/h3>\n

Jewellery<\/strong><\/p>\n

In a mixture of traditional and contemporary techniques, gemstones, metal and profane materials from the environment, such as the desert sand from Texas, come together. The young jewellery designer creates an unseen new aesthetic that inspires dreams when worn and viewed and invites you into a fantastic world. <\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/a><\/span><\/div><\/div><\/div>

Fern Liberty Kallenbach Campbell, USA \/ Germany<\/h3>\n

Textile<\/strong><\/p>\n

The traditional textile technique of tufting is currently experiencing a renaissance – as exemplified by the young German-American designer Fern Liberty Kallenbach Campbell. The classic motif of a still life on a table is conceptually developed through painting and digital processing and implemented in an exemplary manner using a wide variety of textile fibers in a three-dimensional and tactile way. <\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/a><\/span><\/div><\/div><\/div>

Fleury-Dugy Gaspard, France<\/h3>\n

Textile studies, 3-D knitting (voluminous vases)<\/b><\/p>\n

The French textile designer has dedicated herself to the technique of knitting. She develops patterns and colour concepts that she explores in fiber thicknesses and the colours of the rainbow. Beyond the innovative patterns, a dialogue is created between handcrafted and digital processes. The results are original shapes reminiscent of vessels. <\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/a><\/span><\/div><\/div><\/div>

Rebecca Milautzki, Germany<\/h3>\n

Textile<\/strong><\/p>\n

These textiles woven using the jacquard technique are fascinating in their flexibility and translucency. The three-dimensional weave is underlaid with complex fabric structures. Flowing reflections and delicate shadows fascinate viewers and users alike. <\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/a><\/span><\/div><\/div><\/div>

Romina Ried, Germany<\/h3>\n

Ceramics<\/strong><\/p>\n

Trained as a wood carver, Romina Ried studied ceramic design at Burg Giebichenstein. She broke away from the influence of her formative teachers and developed an independent formal language, which is presented in the self-confidently appearing vessels. The materials collected from nature are stored in delicate plays of colour. <\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/a><\/span><\/div><\/div><\/div>

Apollo Wooden Wheelchairs, France<\/h3>\n

Wooden wheelchair “Apollo IV, special edition Paris 2024”<\/b><\/span><\/p>\n

The French developer and manufacturer of these modern wheelchairs uses modern CNC-controlled tools to cut slats from birch plywood, which are joined together on an axis to form the chair’s blank. All superfluous material is cut out of the parts in order to achieve the lowest possible weight with maximum stability. The blank is then painstakingly machined and sanded by hand until the pleasantly rounded shapes and ultra-fine surface are achieved. The chair is adapted to the user with customized upholstery and fitted with tried-and-tested wheels. The rigid wheelchairs are equally suitable for sporting activities and for use in the home as a successful piece of furniture and means of transportation for people with disabilities.<\/span> <\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

Internationale Handwerksmesse
Munich, March 12 to 16, 2025<\/p>\n","protected":false},"author":6,"featured_media":12213,"parent":8740,"menu_order":20,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-12309","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nTALENTE 2025 - TALENTEm\u00fcnchen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/talente-muenchen.org\/en\/archive\/talente-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TALENTE 2025 - TALENTEm\u00fcnchen\" \/>\n<meta property=\"og:description\" content=\"Internationale HandwerksmesseMunich, March 12 to 16, 2025\" \/>\n<meta property=\"og:url\" content=\"https:\/\/talente-muenchen.org\/en\/archive\/talente-2025\/\" \/>\n<meta property=\"og:site_name\" content=\"TALENTEm\u00fcnchen\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T15:51:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/talente-muenchen.org\/wp-content\/uploads\/2025\/11\/HD_Presse_tp_5819.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"78 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/talente-muenchen.org\\\/en\\\/archive\\\/talente-2025\\\/\",\"url\":\"https:\\\/\\\/talente-muenchen.org\\\/en\\\/archive\\\/talente-2025\\\/\",\"name\":\"TALENTE 2025 - 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